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Andrea Levy: Small Island and Long Song author dies aged 62

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British author Andrea Levy, whose award-winning novels captured the black British experience in the years after Windrush, has died at the age of 62.
A statement released on behalf of her family said she died of cancer.
Levy was born in 1956 to Jamaican parents who had travelled to England on the Empire Windrush in 1948.
She was best known for the best-selling Small Island, about two Jamaicans who came to England after World War Two, and The Long Song, her last novel.
The 2010 novel was nominated for the Booker Prize and was adapted by BBC One last year.
Unlike her other four novels, The Last Song was not set in post-war Britain but reached back to early 19th Century Jamaica during the last years of slavery.
Sir Lenny Henry, who played a slave in the series, said he had “loved hanging out with this pugnacious woman”.
“She was funny, had attitude and was immensely smart,” he wrote in a tribute.
Her publisher Headline said it was “hugely saddened” by her death on 14 February, adding that she “had been ill for some time”.

The Long Song examined the years before and after the end of slavery

Levy did not start writing until she was in her mid-thirties, after enrolling in a creative writing class at an adult education college in London.
In 1994 she published her first novel, Every Light in the House Burnin′, a semi-autobiographical look at a young woman growing up in north London in the 1960s.
Before that, little had been written about the lives of Jamaican immigrants and their families.
It was not until the release of Small Island in 2004 that her writing really took off, with her fourth novel earning her the Whitbread Book of the Year, the Orange Prize and the Commonwealth Writers’ Prize.
The novel was praised for its compelling, intertwined tales of Jamaicans who moved from their own small island to Britain, and the Britons in whose home they lodged.
In 2009 it was adapted for a BBC TV series starring Naomie Harris and Ruth Wilson. A stage version opens at the National Theatre in April.
Rufus Norris, the theatre’s director, said “her humour, craft, rigour, openness and clarity of thought” had been “a pleasure and a privilege to witness.”

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