By Jennifer Nerkie Kenney
An exhibition celebrating Africa’s cultural heritage and historical consciousness was held on Monday, December 29, 2025, at the Accra International Conference Centre as part of activities on the second day of the three-day African Festival.
The exhibition featured a wooden replica of the Larabanga Mosque and a metal pyramid structure accompanied by camel figures, symbolising key tourist and historical sites across the continent. The installations attracted visitors, many of whom stopped to take photographs and engage with guides on the cultural significance of the displays.
According to Muhsin, one of the exhibitors, the purpose of showcasing the structures was to promote major African tourist destinations and raise awareness of their historical importance. He said the exhibition was intended to remind visitors of the richness of Africa’s heritage and encourage greater appreciation of sites that are often overlooked.
Another major attraction was the Den of History, which offered insights into the histories and cultural identities of various African countries. Inside the space, visitors took part in storytelling sessions accompanied by music and dance, with narratives centred on Ananse folklore and the story of Atobam being appointed the first custodian of music.
The stories were used to convey cultural values, particularly the idea that hatred and opposition should be overcome, as they can become pathways to personal growth and success. Poetry on colonisation and Pan-Africanism, inspired by the works and ideology of Osagyefo Dr Kwame Nkrumah, was also performed, highlighting the impact of colonial rule and apartheid on the continent.
The exhibition culminated in a dramatic and choreographed stage performance depicting the life and influence of Dr Nkrumah. The play, The Second Coming of Nkrumah, written by Abu-Bakr Latif, revisited events from Nkrumah’s era with a renewed focus on economic freedom rather than political independence.
Although the production incorporated moments of comedy, it maintained a serious tone while addressing themes of leadership, self-reliance and Africa’s unfinished struggle for true liberation. The performance drew strong audience engagement and provided a reflective close to the day’s cultural showcase.
