By Godwin Aklika
Ghanaian reggae-dancehall artiste and creative, Epixode has opened up about the distinct sound that defines his music, pointing to a deliberate transition that incorporates elements of Ghana’s rich highlife tradition.
Speaking in an interview on GTV Breakfast Show, Epixode explained that his sound goes beyond conventional dancehall, evolving into a fusion that reflects Ghanaian musical heritage. According to him, the transition is intentional, aimed at blending highlife influences with modern sounds to create something uniquely Ghanaian and globally appealing.
He noted that his approach to music focuses on storytelling, message delivery and maintaining a strong connection with his African roots. This, he believes, gives his sound originality and depth, while allowing it to stand out in a competitive industry.
Speaking about his new song, “Juli Juli”, Epixode said it is a love-inspired record that expresses admiration and emotional connection. He described it as a smooth and catchy tune designed to connect with listeners while maintaining a danceable vibe.
The track also highlights his versatility, blending Afro-dancehall with highlife influences to create a relatable sound that fans can easily enjoy and dedicate to loved ones.
Epixode further emphasised the need for Ghanaian artistes to embrace their identity by evolving traditional sounds rather than abandoning them. He said the future of Ghanaian music lies in innovation rooted in culture.
The artiste added that striking a balance between tradition and modern trends is key to building a sound that resonates both locally and internationally.
Epixode also expressed appreciation to the Member of Parliament for Gomoa Central, Kwame Asare Obeng, for entrusting him with a recent initiative, describing it as a meaningful opportunity to extend his artistry beyond music into social impact.
He noted that being selected to contribute to the transformation of police holding cells in Gomoa Central and Agona West was not just an honour, but a responsibility that allowed him to use creative expression as a tool for human-centred change.
According to him, the initiative reflects how Ghanaian artistes can work with leadership to restore dignity in communities, while reinforcing the relevance of art in national development.
